Let's polish our alternate picking technique by deep diving into string crossing.

This rock 'n roll solo is a scary mix of artificial harmonics, two-note-per-srting speed picking and double stops. You will often find that over an A5 powerchord it is common to play the note A (also called the root note) or the note E (called the "fifth" - when played over A). This could be described as an arpeggio approach - which simply mean playing the same note as in the backing chord.

This exercise has it all: String crossing in several directions, three note per string picking, melodic movement.

Second part of the sarabande from BWV 997 lute suite by J.S.Bach.

Second part of the Allemande from the first cello suite.

This is a follow up of the Bluesland pt. 1. The concept is the same!

This is actually an improvised way of playing montunos, 4 different versions of the same harmony.

2 keys, 2 scales? Think again! Explore harmonic combinations for two chords and shred sequences!

Master the diatonic pattern once and for all using systematic approach! In this lesson (which is the second in line) we will cover 3 note per string method. 3 notes on every string make 7 patterns starting from every note of the scale. If you want to learn to shred you just HAVE to learn this.